Paintings in progress and studio notes from fine artist Denise Rich, specializing in cow paintings and commissions from client photographs.
Recent Works
Red Calf on Blue Green hide and peek red calf on blue green 12x12 "Hide and Peek"  Holstein Calves Painting, Original Oil
ArtfulLife_Email_Invite Baldy and Hereford study "Side By Side" Hereford calf study "Early Spring" Hereford Study "You`ve Got My Attention"



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Paintings in progress and studio notes from fine artist Denise Rich, specializing in cow paintings and commissions from client photographs.

Studio notes, progress photos, news and observations of San Diego artist Denise Rich, painter of cows, aka The Happy Cow Artist.

Three Bulls all in a row

The gentlemen above are studies I painted for a client to choose from for a larger painting.

She has made her choice, which one would you choose?

 

I call them Bachelor number one, Bachelor number two and Bachelor number three...

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Painting Large Format - choosing compositions

My 7 foot tall paintings that are at Alexander Salazar Fine Art will soon be added to with new large format

works.   Painting large format is not only a big undertaking, it's quite a committment to a particular composition.

I like to make myself comfortable with that committment by first painting a small study of the composition to see

how it feels and looks.  This painting is 6"x12" oil on board, and is one such study for a large format painting,

I'm thinking about doing this 3 feet by 6 feet. 

I call the piece "Stuck in the Middle" and like the look on the cow's face, and the somewhat abstract quality.

Still making up my mind, and will most likely do another study or two before I make a final decision on what to

do on my 3'x6' canvas!  For now it is waiting to be painted on.

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3 tips for taking good reference photos of domestic animals

You can have the best camera equipment, you can be

a professional photographer, but if you don't have patience, forget it!

 

Tip number one, expect to be extremely patient.

When it comes to getting reference of animals, the number 1 most important thing for me is

Patience! 

 

I'll hang around for hours waiting for the animals to get comfortable with my presence.

My key thing is let them be themselves, not posed, that's how you get the personality.

 

For instance when I go to the dairy to take reference photos the part I look forward to the most is

visiting the calves, but they can be super cautious and usually all run away when I approach them.

Fortunately, their natural curiosity will get the best of them, if I hang around long enough, and of

course, I do!

New Holstein calf painting  16"x20".

 

Tip number 2, be the camera!  Don't just wait for the perfect shot, then try to snap it.  Animals move unpredictably, and when I first started I lost a lot of great shots because by the time you see it and raise the camera it's too late.  Most of my best shots are taken in a series, and most of the time the camera is my eye and my trigger finger is ready to snap instantly.

 

Tip number 3, use a digital camera and fill that memory card up!

It doesn't cost anything like back in the days of film cartriges and photomat.  It's reference, just shoot.

The more photos you take, the more chances that you will get a good shot.  I generally take 60 to 100 photos within

an hour on a shoot.  It's never too much.

 

Whether you are taking photos as reference for paintings, or taking photos of your own animal these three tips

will help you get better pictures.

 

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